Buoyant
Thornhill, ON, June 2010
It's been ten years since we welcomed our youngest son, Noah, into the world. It doesn't seem like anything remotely close to a decade, but I suppose the calendar doesn't lie. Babies do indeed grow up, and parents like us are left wondering why time has to move as quickly as it does.
Before tuck-in last night, he came bounding - he doesn't walk as much as he lightly skips from place to place - into our room and proudly told me this was the last time I'd be hugging him as a 9-year-old. He threw his arms around me and squeezed for all he was worth. It wasn't any different than any other night, mind you: He's always been a cuddly, sweet child who never misses an opportunity to say how much he loves us. Still, I held him for just a little longer than usual, wondering how he got so big, and how long it would be before he'd be too old and independent to do the hugging thing with us.
Hopefully not for a while.
After his hug, he found the dog and gave him a hug, too. Frasier doesn't speak English, of course, but something tells me he appreciated the moment just as much as we did. Noah's like that, a connector, someone who finds a way to wind his way into everyone's heart no matter who they are. He's endlessly kind, sharing whatever he has to make sure those around him don't go without. He's a hero to his little cousins, too, the cool Big Noah from London who plays whatever they want from the moment he gets to their house to the moment he leaves. He's a good kid, a gutteh neshumeh - good soul - who reminds me so much of my wife every time I hear him speak.
Call me an inveterate optimist, but I believe good things come to those who are kind, and he is as kind as anyone I've ever met. I hope he carries his sunny nature - we call him Sunshine Boy - well into adulthood, because the world needs more people like him.
Happy 10th birthday, little man. May all your days continue to be happy, and may we always be together to share them with you.
Your turn: Happiness is...?
because I'm busy visiting family in Upstate NY, where I grew up. This isn't a typical vacation. I'm on Sabbatical from work, and the reason for the visit at this time was primarily to A) share my personal history and testimony with my daughter, and B) to share what I understand about some of the places, people and events that happened in this region that had lasting and sometimes global impact.
St. after passing a number of other occult buildings and "art" objects. The first thing that came into view was one of the triple helix pillars. From some angles it's hard to tell its a triple helix, so here's a 
closer-up detail view so you can identify all three strands. As I kept walking closer I saw the sign on the overpass and then the opposing pillar to the first.
opened to us from such as NCR.com, etc.
A gateway and a vehicle are featured in the opening scene of NCR.com's "marketing" sequence, where the armored car / get-away Zeus-mobile / soul transport is awaiting receipt of the goods. It's pictured standing between then departing from between the pillars, where the target of the user's click is placed directly on the animated blue and white triple helix. The user's click that signals their 
acceptance of the terms of the deal offered was timed in the presentation to coincide with the vehicles departure, signaling in ritual magic the subsequent capture of their soul.
passing (as facilitated by 
a message board thread (started by someone using the triple-helix dna signaling symbol popularized by Nicholas Roerich as their avatar. I point this out as a symbol I've been wanting to feature for some time now. Nicholas Roerich had a significant role in the great seal appearing on the one dollar Federal Reserve Note.)
while they are both feature length animations, the visual texture and tone are vastly different between them. In a similar way, while they are both antichrist vehicles promoting the Beast agenda, the manner of presentation differs significantly. The style difference can be seen in the movie titles themselves. "The Iron Giant" is very descriptive, while "9" is as stark as a title can possibly be.
I'm now convinced is the primary feature of the mark of the beast relates to bringing forth offspring. It has oft been said that math is a language of truth. 
this blog may recall how the clever triple-helix DNA signaling logo of Nine Points Management & Research / Nine Points Capital Advisors, LLC. disassembles or transforms into 666. 
"9" movie trailer videos and notice how the movie's launch date is featured at the end? The movie "9" was launched on 9-9-09, as you see in the image on the right. This is more than a promotional gimmick. Applying the summing function to the release date, 9-9-09 is 9+9+9=27 and 2+7=9 so we see that the release date of "9" also resolves to 9.
Ok. So, stand on your head and watch it. Or, just look at this image on the left, which is the 9-9-09 image turned upside down. It's the 666, slightly obfuscated, for the sake of "plausible deniability." The 9 was presented being transformed into 9-9-09. If you watch it upside down, you'll see 6 transformed into a 666. "6", the number of man (Revelation 13:18), transformed into 666, the number of the beast. In ritual magic, man is being transformed into a beast through the mark of the beast!
Thoth was ibis headed and Horus, falcon headed.
rag dolls were featured in an introduction sequence, one at a time, excepting the "3" and "4," which were presented together. The image on the left represents two consecutive frames I clipped from that sequence. The "three things and then four" is the sign for which I've watched. With their "creator" making the "3" and "4" at the same time, as twins, the sign is conveniently packaged for presentation. 
The sequence is important, with a 3 coming before a 4, and it's in this order that they appear in the movie. 
"The Iron Giant" pattern presented when the signal poster is introduced! As the "camera" panned left giving us a view of Dean's domicile, we first saw the "3" appear, then the "4" with it, to the left of the "3"! 
Are there supplemental clues in the context of the cryptic sign's presentation in "9" that support identifying it as such a sign? Take a close look at what "3" and "4" are flanking, the object they had been hiding behind. I know, it's dark, but that's the image from the movie.
